Chilly Scenes of Winter (1979)
|Director||Joan Micklin Silver|
|Writer||Joan Micklin Silver|
|Genre||Comedy, Drama, Romance|
|Content Rating||PG (PG)|
|Company||Triple Play Productions|
Chilly Scenes of Winter (film)
Chilly Scenes of Winter (originally released as Head over Heels) is a 1979 American romantic comedy film written and directed by Joan Micklin Silver, based on the 1976 novel of the same name by Ann Beattie.
Charles Richardson is a civil servant in his early 30s, working in the Department of Development in Salt Lake City, Utah, and he is an impetuous romantic. One day, he meets Laura Connolly in the filing department of his office, and it is love at first sight.
Laura is a married woman who has just moved out on her husband Jim, a log-home salesman. She is disillusioned by her own marriage and wants to find herself. Charles gathers his courage and asks her out. Soon, she moves in with him and seems happy, but starts having second thoughts. According to Laura, he loves her too much. "You have this exalted view of me, and I hate it. If you think I'm that great, then there must be something wrong with you."
Laura leaves Charles and goes back to her husband Jim. Sam, recently unemployed as a jacket salesman, moves in with Charles, who tries to grapple with the loss of Laura. Charles's mother, meanwhile, is an eccentric who has suicidal thoughts.
Charles begins to make efforts to win Laura back. Charles finds out from his secretary Betty that Laura has left Jim once again and is living in an apartment with a roommate. Charles confronts Laura, finally asking her to decide if they will have a future together.
- John Heard as Charles
- Mary Beth Hurt as Laura
- Peter Riegert as Sam
- Kenneth McMillan as Pete
- Gloria Grahame as Clara
- Nora Heflin as Betty
- Jerry Hardin as Patterson
- Tarah Nutter as Susan
- Mark Metcalf as Jim
- Griffin Dunne as Mark
Parts of the film were shot in Salt Lake City, Utah.
The original version of the film, titled Head over Heels, had a happy ending. In 1982, the distributor re-released it with a new melancholy ending (just with the original last scene omitted), and the title was changed to match the novel. The film had a more successful run this time.
Reviewing the original version, Vincent Canby of The New York Times described the film as "seeming to be on the verge of some revelation of profound feeling that, at long last, never comes." However, he gave high praise to the acting, writing "there's not a false performance in the film." Leonard Maltin referred to the film as divisive: "it will either charm or annoy" the viewer. He awards it two-and-a-half stars, presumably the original version.