Evergreen (1934)


Evergreen (1934)

Harriet Green, a beloved and radiant music hall star of the Edwardian era, has a guilty secret: She has a baby daughter, born out of wedlock. Harriet leaves her public and flees to South Africa to raise her daughter quietly. The years pass, and now her daughter, Harriet Hawkes, returns to London as a young show-biz hopeful. Tommy, a wily publicity man, knowing that young Harriet is a dead ringer for her famous mother, convinces a theater producer to star her in a new revue as none other than the original Harriet Green, miraculously untouched by old age. The ruse works too well: Now the public believes Harriet is a well-preserved 60-year-old and Tommy is her son. The deception is more than merely inconvenient, because now Harriet and Tommy have secretly fallen in love.
IMDb   6.7 /10
TheMovieDb    6.1 /10
Director Victor Saville
Writer Benn W. Levy
Writer Emlyn Williams
Writer Marjorie Gaffney
Release Date1934-12-30
Runtime1h 34min
GenreComedy, Musical, Romance
Content RatingApproved (Approved)
CompanyGaumont British Picture Corporation
Harriet Greenas Harriet Green
Leslie Bennas Leslie Benn
Maudieas Maudie
Tommy Thompsonas Tommy Thompson
Ivor McLaren
Ivor McLaren
Marquis of Stainesas Marquis of Staines
Treadwellas Treadwell
Patrick Ludlow
Patrick Ludlow
Lord Shropshireas Lord Shropshire
Betty Shale
Betty Shale
Mrs. Hawkesas Mrs. Hawkes
Marjorie Brooks
Marjorie Brooks
Marjorie Mooreas Marjorie Moore
Buddy Bradley
Buddy Bradley
Danceras Dancer
Theatre Audience Memberas Theatre Audience Member
Rita Grant
Rita Grant
Chorus girlas Chorus girl
Christine Lindsay
Christine Lindsay
Sonnie Hale's Secretaryas Sonnie Hale's Secretary
Minor Roleas Minor Role
Charles Mortimer
Charles Mortimer
Butleras Butler
Undetermined Roleas Undetermined Role
Cyril Smith
Cyril Smith
Stage Manageras Stage Manager
Barmaidas Barmaid

Evergreen (film)

Evergreen is a 1934 Gaumont British musical film, starring Jessie Matthews as a music hall singer, based on the 1930 musical Ever Green, also starring Matthews. Matthews had a dual role as both mother and daughter.

The film was produced by Michael Balcon and directed by Victor Saville. The music was by Rodgers and Hart.


Set in the Edwardian era music halls of London, the popular singing star Harriet Green (Jessie Matthews) delights audiences with her coy rendition of Daddy Wouldn't Buy Me a Bow Wow; however she has an illegitimate baby daughter that she keeps secret from the public. Blackmailed into leaving the stage she moves to South Africa to raise her daughter quietly. Years later her daughter, Harriet Hawkes (played by Matthews again), looking remarkably like her mother, returns to London as a young show-biz hopeful. A handsome young publicity man Tommy Thompson (Barry MacKay), convinces a theatre producer (Sonnie Hale) to star her in a new revue as the "remarkably preserved" original Harriet Green. The ruse works; however Harriet and Tommy have fallen in love, but the public believes Harriet is a well-preserved 50-year-old and Tommy is her son. The masquerade is revealed when Harriet does a strip-dance to the Harry M. Woods song Over My Shoulder.


  • Jessie Matthews as Harriet Green
  • Sonnie Hale as Leslie Benn
  • Betty Balfour as Maudie
  • Barry MacKay as Tommy Thompson
  • Ivor McLaren as Marquis of Staines
  • Hartley Power as Treadwell
  • Patrick Ludlow as Lord Shropshire
  • Betty Shale as Mrs Hawkes
  • Marjorie Brooks as Marjorie Moore
  • Stewart Granger as Audience Member
  • Charles Mortimer as Butler
  • Cyril Smith as Stage Manager

Jessie Matthews the popular English actress, dancer, and singer of the 1930s had a dual role as music hall star Harriet Green and her daughter Harriet Hawkes. Matthew's real life husband, Sonnie Hale, played the worried theatre producer Leslie Benn. The love interest, publicity man Tommy Thompson, was acted by Barry MacKay. The other main parts are - Maudie, played by Betty Balfour, Marquis of Staines by Ivor MacLaren and Treadwell by Hartley Power.


Capitalising on the success of Jessie Matthews' performance in the 1930 West End production of Rodgers and Hart's Ever Green musical, producer Michael Balcon engaged her for Emlyn Williams' film adaptation of Benn W. Levy's stage play. Harry M. Woods added four songs, dropping a number of the original Rodgers and Hart numbers.

RKO, Fred Astaire's Hollywood studio, prevented Balcon from engaging Astaire, who was then appearing in The Gay Divorce at London's Palace Theatre, and wanted to appear with Matthews. Contemporary reviews commented that such a partnership would be popular with critics and public.

Even though Matthews was at the peak of her popularity at the time, she was near to a mental breakdown during the making of the film. She credits director Victor Saville in her autobiography Over My Shoulder with giving her the support needed to complete the filming.


Popular in its day, the film has retained critical and contextual attention due to a strong plot, energetic performances and catchy Rodgers and Hart numbers comparable to "the best Astaire/Rodgers or Busby Berkeley films"; it is regarded as director Victor Saville's most worthy work.

Success in America resulted in MGM making an offer of a big Hollywood role to Jessie Matthews, which Gaumont British would not release her to as she was too valuable to the British studio.